Musica Iagellonica, vol. 1, 1995.
- Anderson, Robert: “Paderewski and Elgar’s Polonia” (p. 141-146).
- Chechlińska, Zofia: “Variation Technique in Chopin’s Nocturnes” (p. 75-90).
- Jasiński, Tomasz: “Imagination Crucis in the Baroque Music” (p. 51-74).
- Paja-Stach, Jadwiga: “Polish Themes in Polonia by Edward Elgar” (p. 147-158).
- Perkowska-Waszek, Małgorzata: “Les debuts parisiens d’Ignace J. Paderewski et quelques evenements de sa vie artistique” (p. 159-176).
- Przybyszewska-Jarmińska, Barbara: “The Sacred Dramatic Dialogue in Seventeenth-Century Poland. Facts and Suppositions” (p. 7-22).
- Rijavec, Andrej: “A ‘Polish Connection’ in Slovene Music” (p. 115-124).
- Samson, Jim: “Chopin Reception: Theory, History, Analysis” (p. 91-114).
- Woźna-Stankiewicz, Małgorzata: “Les lettres cracoviennes de Józef Kremer sur la musique” (p. 125-146).
Musica Iagellonica, vol. 2, 1997.
- Czepiel, Tomasz: “Zacheus Kesner and the Music Book Trade at the Beginning of the Seventeenth Century: an Inventory of 1602” (p. 23-70).
- Chylińska, Teresa: “Szymanowski – A Witness of History. Sidelights on Karol Szymanowski’s Correspondence: 1920-1926” (p. 215-254).
- Jasiński, Tomasz: “The Stylus a capella in the Music of Bartłomiej Pękiel: Artistry and the Transformation of Tradition” (p. 151-160).
- Szweykowska, Anna: “Monteverdi in Seventeenth-Century Poland” (p. 71-82).
- Wightman, Alistair: The Book of King Roger. Szymanowski’s Opera in the Light of his Novel Efebos (p. 161-214).